There are few films as meditative and rhythmic as what Wim Wenders managed to achieve here with Perfect Days. Known for his past documentaries and dramas, this German auteur presents a celebration of living a beautifully present life that is fresh out of Cannes and was selected to compete for the Palme d’Or, where it…
Read MoreOriginally conceived as a long short by director Angus McDonald, Freedom Is Beautiful is a timely documentary about the refugee experience in Australia, the cruciality of human rights, and the value in equality for all citizens living under the same rule. Shining a necessary light on the brutal processing regime that takes place on the…
Read MoreAn eco-terrorism thriller where the bombers are the good guys, Daniel Goldhaber‘s How To Blow Up A Pipeline is structured as if it’s playing to a heist movie temperament, but it’s layered with a topical, current commentary that lends the film a young freshness; very much a movie of the “now”. Relying on ideas realised…
Read MoreDescribed as a “verbatim description” of what happened to Reality Winner (yes, that’s an actual name), an American Air Force veteran, who was suspected of leaking classified government information to the media while she was working as a translator with top-secret security clearance in June 0f 2017, Tina Satter‘s stage play “Is This A Room”…
Read MoreA historical figure whose achievements are all the more remarkable due to the obstacles faced as the son of a white father and black mother, Joseph Bologne, Chevalier de Saint-Georges, is highlighted, but not quite as richly celebrated in Stephen Williams‘s Chevalier. And given the extraordinary details of his life story, it’s a shame that…
Read MoreThe themes tackled throughout Warwick Thornton‘s The New Boy are presented with symbolic, almost-magical and allegorical physicality. And though its 1940’s Australian setting lends interesting conversation to its religious outlay and the clashing of beliefs at the time, the film itself doesn’t quite contain the spark needed to earn true impact; though it’s not for…
Read MoreDespite the simple premise of Celine Song‘s Past Lives and its romantic comedy connotations, the film is anything but. Burning slow and composing its emotions until it knows when to release them in a flood of responsive passion, Song’s impeccable debut is a drama of humanism and quiet complexity. Set over the span of 24…
Read MoreIn this era of streaming taking priority (unfortunately), there’s a whole generation of movie watchers – if they aren’t on their phone during said watch – who are unaware of just how special a time the video store truly was. I Like Movies indulges in that time. Set amongst the backdrop of teen angst, Blockbuster…
Read MoreThere’s both a sense of adhering to the temperaments of action films gone by and embracing the current and future state of the genre present in Jalmari Helander‘s Sisu. Matching its dark sense of humour (and I mean dark) with a violently bloody mentality (and I mean bloody!), Sisu manages to present the simplest of…
Read MoreAnother Wes Anderson creation, where the sheer cast alone is unfathomable in their collective talent and the twee is as twee as can be, Asteroid City, with its distinct colour pallet and deadpan performances, won’t convert any viewers over to the Wes way of watching, but those that have stuck with the auteur through his…
Read MoreWhilst it’s easy to pick how Scrapper – Charlotte Regan‘s impossibly charming comedy/drama – will end when all is said and done, the central performances from newcomer Lola Campbell and Harris Dickinson as a feisty, self-reliant 12-year-old and her man-child father, respectively, are what keeps the quirky narrative continually engaging. It’s one of those “message”…
Read More“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…
Read MoreThough the title of Benjamin Millepied‘s feature directorial debut Carmen – the dancer-turned filmmaker having cut his teeth on short films and music videos – suggests a connection to Georges Bizet‘s French opera of the same name, his script – co-written with Alexander Dinelaris Jr. and Loïc Barrere – only mildly references its narrative mentality and…
Read More“A film festival is a gathering of diverse perspectives that offers a collective snapshot of the global zeitgeist, allowing us to delve deeper into our present reality,” said Sydney Film Festival Director Nashen Moodley as he unveiled this year’s stellar line-up of programming, running from June 7th – 18th. “For 70 years, Sydney Film Festival has…
Read MoreFamily Dinner (dir. Peter Hengl) Guess Who’s Coming to Dinner? Family Dinner tells the story of a reticent and obese teenager Simi who is spending her Easter Weekend at her auntie’s house. Her aunt Clara is a popular nutritionist and comes across as passive-aggressive toward her. Her partner Stefan comes off as a ladykiller as…
Read MoreA gaudy game of cat-and-mouse and pseudo-philosophical musings on sexual orientation and gender sit at the core of Amanda Kramer‘s Please Baby Please, a wild but, sadly, insufferable drama that’s more sleazy than it is stylish. Set in 1950’s New York, the film reveals its bizarre, sexualised tone in its early minutes when bohemian couple…
Read MoreThe type of filmmaker who’s able to create stories so bombastically silly that they are somewhat brilliant, Quentin Dupieux once again expresses straight-faced frivolity in Incredible But True, a tightly-paced (a lean 74 minutes) twilight-zoned comedy that, somehow, is one of his more level-headed features in spite of its ludicrous plot. Said ludicrous plot revolves…
Read MoreNobody quite does obscure like director Peter Strickland. Finding that delicious balance between eccentric and perverse, Flux Gourmet – set over a month-long period in an institute for sonic caterers (yes, that’s a thing) – is perhaps his funniest yet, indulging in the mischief that comes with his unique blend of deadpan dialogue and a…
Read MoreWhilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement. And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans…
Read MoreThey say crime doesn’t pay, but whoever stated as such may want to have a chat with the titular criminal in John Patton Ford‘s scrappy, oft intense thriller, one that furthers Aubrey Plaza‘s hold on chaos personified characters in the off-kilter subsect of cinema. Plaza’s Emily is a former art student with a $70,000 debt…
Read MoreWhether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media. In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…
Read MoreThe 69th Sydney Film Festival has announced it’s opening night film, presenting the world premiere of We Are Still Here as its Gala event at the State Theatre on the 8th of June. The film, which will be followed by a post-screening celebration in the Sydney Town Hall, is a multi-genre First Nations collaboration that…
Read MoreThe 69th annual Sydney Film Festival has announced a sneak peak look at 22 film titles that will be featured during this year’s event, running 8th-19th June, 2022. Ahead of its full program announcement on 11th May, this first taste of of programming “gives audiences a snapshot of the selection and flavour of films featured…
Read More“He’s just a man, Peter. Only another man.” – Rose (Kirsten Dunst) Benedict Cumberbatch and Jesse Plemons star as Phil and George Burbank; brothers who work as reputable cattle ranchers. George is a simple, upstanding and honest man while Phil is boastful, malevolent and manly. While Phil is happy with their routine of continuing the…
Read More“We all break the rules we set for ourselves in the end.” – Genvieve (played by Nathalie Richard) Joanna Scanlan stars as Mary, a widow who is undergoing a period of grief after the sudden death of her sea captain husband Ahmed (Nasser Memarzia). Going through his belongings to attain some sort of closure, she…
Read More“If a tree falls in a forest and no one is around to hear it, does it make a sound?” – Anonymous According to writer/director Apitchatpong Weerasethakul’s latest film Memoria, the answer to the question above is a resounding yes. The acclaimed filmmaker is best known for works including Uncle Boonmee Who Can Recall His…
Read More“You never even asked me if it was true!” – Tonyah (played by Thomasin McKenzie) Essie Davis stars as the titular role of Bunny King; a poverty-stricken mother of two who is struggling to fight the social system to get her kids back. During her battle, she crosses paths with her niece Tonyah, who is…
Read MoreAs much as The Worst Person in the World adheres to many of the standard ingredients of the “romantic comedy”, to refer to Joachim Trier‘s as one would be doing it a massive disservice. Detailed over 12 chapters (and both a prologue and epilogue), the film gives us a look into a certain period of…
Read MoreImmigration is a topic that’s quite intensely debated across the world, particularly in the United States. And in Blue Bayou, a spotlight is shone on a specific group of immigrants, those that come to a country as infants with little to no recollection of their homeland and, quite often, had no other choice. Such is…
Read MoreOn the surface you’d be forgiven for assuming The Beta Test is just another film industry picture, spending its minutes somehow justifying its existence as it hones in on the obnoxious and obnoxiously wealthy Hollywood players who wrongfully assume they’re untouchable in their town. The film has that air about it, but this satirical-cum-unnerving thriller…
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