Biopic

Film Review: Back to Black; Should they have made a movie about Amy Winehouse? “No, no, no!”

In 2015, director Asif Kapadia let us in on the life and legacy of the genius, tragic existence that was Amy Winehouse with the documentary Amy.  Using archival footage spanning 14 years and over 100 interviews with those that knew her best, it truly gave us an insight into the singers’ meteoric rise and brutal…

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Film Review: Bob Marley: One Love cautiously celebrates the legendary performer

With all that Bob Marley achieved before his passing at only the age of 36, it makes sense that his life be served the biopic treatment, and with King Richard helmer Reinaldo Marcus Green as a director, there’s perhaps even more of a sense of how emotionally impactful such a tale could be.  But seemingly…

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Film Review: Ferrari needs a tune-up if it wants to be considered an enjoyable ride overall

Compared to the other “exceptional man” biopics of the last year (Oppenheimer, Maestro, Napoleon), Michael Mann‘s Ferrari is, sadly, the least interesting.  Whilst it doesn’t take an entirely traditional narrative – the film only shows us a certain chunk of the man’s life – and Adam Driver does his best with his showy role, to…

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Film Review: Baz Luhrmann’s Elvis is a showcase for the revelatory Austin Butler

If Baz Luhrmann is a director whose gaudy, lavish, larger-than-life style has been an aesthetic you haven’t gelled with thus far, his “biopic” Elvis isn’t about to change your mind. The director of Moulin Rouge suitably shakes, rattles, rolls, razzles and dazzles over a sometimes-exhausting 159 minutes, kinetically pacing the king of rock ‘n’ roll’s…

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Film Review: The Eyes of Tammy Faye; or how Jessica Chastain’s stunning performance saves an average biopic

A film that’s likely to resonate with, or at least feel more familiar to American audiences, The Eyes of Tammy Faye does its best to clue in local Australian viewers as to just who was the larger-than-life personality Tammy Faye Bakker Messner.  An only-in-America type tale, Tammy Faye’s small-time Minnesota upbringing, where she “found Jesus”…

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Film Review: Spencer is an unconventional tale of tragedy, reinforced by a mesmeric Kristen Stewart

In the opening moments of Pablo Larraín‘s Spencer, his subject – Princess Diana (Kristen Stewart, beyond impressive) – hopes to maintain any shred of autonomy she can through a lifestyle she knows has wildly altered her reality.  Late to a family Christmas celebratory weekend – the film focuses on December 24th-26th in the early 1990’s,…

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Film Review: King Richard is a winning biopic that transcends genre expectation

As much as King Richard has all the trappings of a biopic – and a sports drama, for that matter – it’s a testament to everyone involved that it manages to entirely transcend expectation and feel like something that’s so much more. It’s easy to wax lyrical about the fact that we’re getting a film…

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Film Review: Being the Ricardos is a narratively disjointed, though enjoyably acted biopic about the unmatched Lucille Ball

Much was said about Being the Ricardos before it even screened for critics, with the fact that stars Nicole Kidman and Javier Bardem were somewhat controversial casting choices to play Lucille Ball and Desi Arnaz.  Neither looks considerably like the legendary comedic performers, which left a certain sour taste in the mouths of those wondering…

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King Richard is a crowd-pleasing drama featuring a career-best turn from Will Smith: AFI Film Festival Review

As much as King Richard has all the trappings of a biopic – and a sports drama, for that matter – it’s a testament to everyone involved that it manages to entirely transcend expectation and feel like something that’s so much more. It’s easy to wax lyrical about the fact that we’re getting a film…

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Film Review: Respect feels like a greatest hits package rather than an album of cohesive work

A capable cast, led by a worthy Jennifer Hudson, and a plethora of recognisable hit records may be enough to satisfy a surface level bassline when it comes to the story of soul legend Aretha Franklin, but Respect, for all its good intentions, doesn’t quite feel like the story such an icon deserves. At around…

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Film Review: The United States vs. Billie Holiday succeeds off Andra Day’s transformative central performance

The best performances within the biopic genre are those that aren’t just simply imitations or impressions of the subject at hand, but an honest appraisal of the person, one where the performer vanishes on screen. And so often with such grand performances, it can lead to the rest of the film surrounding them to feel…

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Film production set to ramp up in Australia as Baz Luhrmann’s Elvis gets underway in Queensland

“We’re back to, as Elvis liked to say, ‘taking care of business’”. And with that statement, Oscar-nominated director Baz Luhrmann once again controls the reins of Elvis, a musical drama detailing the life and music of the iconic Elvis Presley. After an unexpected delay in filming due to the unprecedented world events, cameras will roll…

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Film Review: Judy is as heartbreaking as it is joyous

There’s at least one Oscar-grab movie released every year designed with the intent on pushing its lead performer to the front of the nominee queue.  Judy appears to be that movie for 2019.  And that’s certainly not a criticism against the film as it’s a fine biopic in its own right, but Renee Zellweger‘s dedicated…

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Film Review: Tolkien is a pedestrian look at the famed writer from childhood to hobbit

There is no question that author, J.R.R Tolkien is worthy of a bio-pic. The writer is responsible for some of the most beloved fantasy epics including: The Hobbit and The Lord of the Rings. This bio-pic is a rather pedestrian telling of some of his life events and as such, is unworthy of such a…

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Film Review: In Like Flynn (Australia, 2018) is predominantly fizzy and shamelessly cheesy

Director Russell Mulcahy, the Melbourne filmmaker whose career has seen him graduate from Elton John music videos to varied levels of cinematic quality (the 1984 wild boar in the outback horror flick Razorback, the ill-advised Kim Basinger vehicle The Real McCoy, and the Geoffrey Rush drama Swimming Upstream just a few of his efforts) is…

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Film Review: Battle of the Sexes (USA, 2017) is topical, crowd-pleasing entertainment

Despite its 1973 setting, Battle of the Sexes is very much a film for the now with Billie Jean King’s story appearing just as relevant today as it did back then.  Stances on sexuality and the pay parity between genders as depicted here is likely to strike a chord with many an audience member, but…

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Film Review: My Father and The Man In Black (Canada, 2012)

When audiences flocked to watch the Johnny Cash biopic, Walk The Line, they did not learn much about his one-time manager, Saul Holiff and they probably didn’t mind. But the pair had a troublesome relationship which started off with the two arguing and becoming enemies (and their association ended in a similar fashion) plus they…

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