To know Tiny Beautiful Things, at Sydney’s Belvoir, is to know the heart and mind of Cheryl Strayed, the woman upon whose New York Times bestselling book the play is based. For two years Strayed wrote an anonymous advice column for the website The Rumpus under the name ‘Sugar’. It is the letters received during…
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Climate change, global warming, greenhouse effect, carbon emissions – there are many words to describe it and even more emotions associated with its impacts. Scenes from the Climate Era at Belvoir explores our complicated and tumultuous relationship with climate change. Presenting over fifty stories which delve into climate science, activism, and denial, it doesn’t pull…
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Written and directed by S. Shakthidharan and Eamon Flack, The Jungle and the Sea at Belvoir follows a family as they fight to survive during the Sri Lankan Civil War. Spanning fifteen years, we witness the family, Mother Gowrie (Anandavalli), Father Siva (Prakash Belawadi) and their four children, Lakshmi (Emma Harvie), Madhu (Nadie Kammallaweera), Abi…
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A group of friends gather in a house, drinks in hand, as one begins to tell a ghost story. The atmosphere is playful, vibrant and full of friendly bickering. Someone turns on the radio and they begin to dance. The throwaway abandon of youth is heavy in the air when suddenly, in the distance, an…
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Based on the 1992 novel by Melina Marchetta and adapted for the stage by Vidya Rajan, Looking for Alibrandi follows the trials and tribulations of 17 year old Josephine Alibrandi, a third generation Italian migrant, as she navigates life over the course of her final year of high school. Directed by Stephen Nicolazzo, the play…
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As the applause dies down and the lights go up, the audience glances at one another, glassy-eyed and slightly dazed. What had we just experienced? It felt as if we had witnessed open heart surgery – while the person was still conscious – and the thought uppermost in my mind was – how the hell…
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Opening Night at Belvoir in Sydney is the story of an actor, Myrtle (Leeanna Walsman), who finds herself at a point in her life where her age begins to make her feel invisible. She starts to question her relevance and her ability as a performer as she undergoes rehearsals for a new play. Everyone around…
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Trigger warning: review contains references to mental illness and trauma. Sally Sara is a Walkley award-winning journalist, writer and author who has reported from more than 40 countries as a foreign correspondent with the ABC. Her debut play Stop Girl at Belvoir in Sydney is a powerful and compelling story of a woman’s struggle with…
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Sybylla Melvyn announces (triumphantly and somewhat without apology) that this is a play all about herself. Stuck on her family property as the eldest of eight, her drunken father (Jason Chong) has squandered much of the family resources while her mother (Blazey Best), keen to marry her off, is worried she’s too plain. In strong…
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A word of advice about Things I Know to be True – do not read any reviews about this play. Just see it. Immediately, if not sooner. Do not risk any twist, turn or roundabout being ruined for you. Having said that, here’s my thoughts. I went into this play with no expectations, having heard…
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If you’re looking for a good time, call Belvoir! The iconic Sydney theatre’s latest production, The Rover, will have you doubling over your doublets with laughter. A delightful classical script, paired with comedically-gifted actors and a theatre company who knows how to have fun, make this show a must-see. Written in 1677 by Aphra Behn,…
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Which Way Home is a moving, charming tribute to the little things that make up a family. The play is both funny and poignant, delivering smiles and sadness in equal balance, leaving you to contemplate your own parental relationships. Produced by pre-eminent Aboriginal and Torres Strait Islander theatre company, ILBIJERRI, Which Way Home fits beautifully…
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Responding to Women in Theatre & Screen findings from last year, Darlinghurst Theatre Company and Belvoir are the only mainstage Sydney theatre companies to have at least 50% of their 2017 season helmed by female writers and directors. DTC also has the distinction of a female majority, with four out of their six productions written…
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