Spike Lee

Los Angeles’ Academy Museum to launch pre-opening virtual program for a worldwide audience

Ever since The Academy Museum of Motion Pictures was announced – a state of the art new complex in Los Angeles – cinephiles around the world have been anticipating what is set to be the most comprehensive and star-studded look at the history, and making of cinema. The Museum, which was set to open last…

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Film Review: David Byrne’s American Utopia is an authentic bridge towards human connection

David Byrne is no stranger to starring in concert films. In 1983, as frontman of Talking Heads, he appeared in the acclaimed Stop Making Sense. Now he stars in his very own: American Utopia, courtesy of director Spike Lee. The result is something that is stripped back yet ultimately brimming with authenticity. For American Utopia,…

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Film Review: Da 5 Bloods is Spike Lee’s Vietnam War opus and one of his very best

Fresh off the acclaim of his last film Blackkklansman and the series reboot She’s Gotta Have It, writer/director Spike Lee is back with his most ambitious film yet; the 2020 wartime drama Da 5 Bloods. Taking his prescient, provocative style and conveying it on a larger scale, it looks to be an absolute winner. A…

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Film Review: BlacKkKlansman (USA, 2018) – Spike Lee channels frustration for one of his finest films to date

Spike Lee is quite clearly fired up as he scatters sharp, defiant dialogue all through BlacKKKlansman, his first feature film since 2015’s good-but-uneven Chi-Raq and without a doubt one of his best works to date. That is no overstatement either, with Lee directing a big middle finger to the racism both explicit and implicit, by…

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Sydney Film Festival Review: BlacKKKlansman (USA, 2018) sees Spike Lee channel his frustration for one of his finest films to date

Spike Lee is quite clearly fired up as he scatters sharp, defiant dialogue all through BlacKKKlansman, his first feature film since 2015’s good-but-uneven Chi-Raq and without a doubt one of his best works to date. That is no overstatement either, with Lee directing a big middle finger to the racism both explicit and implicit, by…

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