Author: Peter Gray

A Star Is Reborn: Why ‘remake’ is not a dirty word

October 19, 2018

No matter how Hollywood tries to sell it, remake will always be a word deemed blasphemous to cinephiles the world over.  Sure, they can throw out terms such as reboot or reimagining or revisioning, but regardless of the spin, they all refer to the same type of picture.  And because it’s one we have experienced […]

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Film Review: In Like Flynn (Australia, 2018) is predominantly fizzy and shamelessly cheesy

October 10, 2018

Director Russell Mulcahy, the Melbourne filmmaker whose career has seen him graduate from Elton John music videos to varied levels of cinematic quality (the 1984 wild boar in the outback horror flick Razorback, the ill-advised Kim Basinger vehicle The Real McCoy, and the Geoffrey Rush drama Swimming Upstream just a few of his efforts) is […]

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Film Review: Damien Chazelle has crafted something truly impeccable with First Man (USA, 2018)

October 9, 2018

It seems almost baffling that Neil Armstrong’s account of being the first man on the moon hasn’t been told prior to Damien Chazelle‘s First Man.  Clearly an intimidating figure but still reserved, sensitive and aloof enough to not be placed upon a pedestal as some flawless being, Chazelle’s film seeks to uncover the more human […]

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Film Review: I Am Paul Walker (USA, 2018) seeks to highlight the kind-natured generosity of a man who was more than his career

September 18, 2018

It goes without saying that Paul Walker was blessed with the type of face destined to be in front of the camera.  And as much as this dedicated documentary, I Am Paul Walker, celebrates his Californian-blessed aesthetics, it seeks more so to highlight that behind the tanned skin, sun-kissed blonde curls and baby blue eyes […]

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Film Review: The Miseducation of Cameron Post (USA/UK, 2018) survives on its own calmness

September 5, 2018

Although The Miseducation of Cameron Post‘s 1993 setting may have people believe that the gay conversion camps at the film’s centre are a thing of the past, and therefore easy to mock as a symbol of how backwards society’s thoughts on therapy was, this treatment is still sadly legal in a large number of American […]

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Film Review: The Happytime Murders (USA, 2018) could spark your interest if vulgar and unkempt comedy is your thing

August 26, 2018

Before Melissa McCarthy’s involvement essentially fast-tracked The Happytime Murders into production, the dark comedy had languished in development limbo for the good part of decade with both Cameron Diaz and Katherine Heigl attached at various moments as potential headliners.  With the final product now upon us, McCarthy’s penchant for vanity-free comedy feels like the most […]

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5 speakers you need to know from Australian Music Week’s first announcement

August 14, 2018

Taking place at Cronulla Beach between the 7th and 9th November, Australian Music Week is Australia’s most accessible grassroots music industry conference. Bringing together an 80-strong speaker line-up, Australian Music Week is about discovering real music and relevant industry knowledge from the artists and insider professionals who live and breathe all things musical. Conference manager […]

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Film Review: The Spy Who Dumped Me (USA, 2018) is wholly committed to not taking itself too seriously

August 9, 2018

Whilst no one is going to go out of their way to suggest The Spy Who Dumped Me is here to reinvent the wheel in its chosen hybrid genres, Susanna Fogel’s kinetic spy caper does a bloody good job at delivering on its advertised packaging.  An action-comedy that proves both consistently amusing and alarmingly crazed […]

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Blu-Ray Review: I Feel Pretty (USA, 2018) is light on substance, but with the best of intentions

August 8, 2018

The average woman is said to criticise herself around eight times each day. It is in this headspace and society that a rom-com like I Feel Pretty exists. The film had the best of intentions and tries to tackle some complex topics like how hard we women can be on ourselves and the feelings of […]

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